NFT - Faces and facades – Frank Trocino Artist

Collection Description

Faces and Facades is a 32-work 1/1 series inspired by music by The Beatles

A contemporary collection inspired by the mood, rhythm, and spirit of classic Beatles songs. Layered faces, architectural forms, and bold color come together to evoke memory, movement, and meaning—like a familiar melody you can’t forget.

The collection will be released sequentially, one work at a time, allowing each piece to stand independently while contributing to a larger narrative arc. All works are unique 1/1s and will be minted individually on SuperRare.

This is a finite series of 32 works. No additional pieces will be added.

"Own the Only Beatles-Inspired Art Collection That Captures the Soul of The Beatles"

You've probably felt it before-standing in front of a piece of art and feeling like it knows you. Like it's saying something about you... or to you.

If you're a Beatles fan like me, you'll be thrilled by this special series. These 32 vibrant paintings, inspired by beloved Beatles songs and characters, blend my unique style with hints of cubism, pop art, and mid-century aesthetics.

Celebrate your musical passion through art that speaks to the soul.

You can view the entire collection of 32 pieces below. The first five include a more detailed description.

This painting, "Father McKenzie" was inspired by the Beatles' song "Eleanor Rigby" through its depiction of solitude and contemplation, themes central to the song. In "Eleanor Rigby," Father McKenzie is portrayed as a lonely figure, tending to his duties in a world that seems detached and indifferent. The vibrant yet stark contrasts in the artwork could symbolize the colorful yet isolating aspects of modern life, echoing the song's melancholic tone. The architectural elements may reflect the church setting, grounding Father McKenzie's character in a place of worship, while his reflective pose captures the essence of introspection and unfulfilled connection described in the lyrics.

This piece is part of my ongoing exploration of "Faces and Facades," a series of mixed media paintings where people and places intertwine, with architecture serving as a vessel for unseen narratives. Inspired by the music from The Beatles, each work aims to evoke the stories and emotions hidden beneath the surface, inviting viewers to look beyond the obvious and discover the deeper layers within.

The song is about a student named Maxwell Edison who commits murders with a hammer, with the dark lyrics disguised by an upbeat sound. McCartney described the song as symbolic of the downfalls of life, being "my analogy for when something goes wrong out of the blue, as it so often does".

Its bold, fragmented composition depicts a woman with a serious expression amidst a chaotic, layered background. The geometric shapes and vivid colors reflect the dark humor and theatrical tone of the song. The woman's intense gaze and layered background elements suggest a narrative of mystery and intrigue, echoing the song's morbidly playful storytelling about a character wielding a hammer, creating a visual interpretation of its quirky, macabre theme

This piece is part of my ongoing exploration of "Faces and Facades," a series of mixed media paintings where people and places intertwine, with architecture serving as a vessel for unseen narratives. Inspired by the music from The Beatles, each work aims to evoke the stories and emotions hidden beneath the surface, inviting viewers to look beyond the obvious and discover the deeper layers within.

USSR presents a composed assembly of four figures. Behind them, a rust-hued wall, textured and marked with rivets, contains subtle references—a faint hammer and sickle—that ground the scene in a historical and symbolic dimension.

Inspired by the upbeat yet ironic tone of The Beatles’ “Back in the USSR,” the painting captures a blend of nostalgia and cultural commentary. The song’s mix of Western pop energy and references to Soviet imagery informs the tension between vibrant color and restrained, angular form in the work. This juxtaposition reflects on ideas of identity, displacement, and the complexity of cultural echoes, translating the song’s playful but pointed spirit into a visual arrangement of figures and symbols.

The use of mixed media—acrylic, ink, and collage—enriches the surface texture, offering tactile variation alongside formal clarity.

This piece is part of my ongoing exploration of "Faces and Facades," a series of mixed media paintings where people and places intertwine, with architecture serving as a vessel for unseen narratives. Inspired by the music from The Beatles, each work aims to evoke the stories and emotions hidden beneath the surface, inviting viewers to look beyond the obvious and discover the deeper layers within.

Inspired by the Beatles’ “Penny Lane,” the work explores themes of presence, attentiveness, and awakening through its merging of human form and urban motifs. The interplay of geometric structure and delicate detail invites reflection on the way identity can be both formed and revealed in quiet, deliberate moments.

This painting is a vibrant and abstract representation, evoking the whimsical and nostalgic vibe of the Beatles song "Penny Lane." The artwork captures the essence of everyday life described in the song. The playful arrangement of buildings and mosaic-like facial features echoes the vivid and dynamic imagery Lennon and McCartney painted through their lyrics, reflecting a bustling, familiar street scene that is both dreamlike and rooted in reality.

This painting was inspired by the Beatles song "Lady Madonna" through its vibrant, collage-like depiction of a woman in a relaxed, almost playful pose. The use of bold, angular shapes and contrasting colors reflect the lively, energetic spirit of the song, which celebrates resilience and everyday charm. The woman's floral skirt and the colorful, abstract background evoke a sense of individuality and joy, capturing the song's celebration of a strong, nurturing figure amid the chaos of daily life

This piece is part of my ongoing exploration of "Faces and Facades," a series of mixed media paintings where people and places intertwine, with architecture serving as a vessel for unseen narratives. Inspired by the music from The Beatles, each work aims to evoke the stories and emotions hidden beneath the surface, inviting viewers to look beyond the obvious and discover the deeper layers within.